ATTRIBUTES: A VISUAL KEY TO RECOGNITION
by Wayne G. Sayles, in part as published in THE CELATOR,
Volume 13, No. 6, June, 1999. (Reprinted with the permission of the author and of Kerry Wetterstrom, Publisher of THE CELATOR.)
< Numismatists often find themselves using the looking glass, as magnifiers were called in the 19th Century, to examine small but important details of a coin. . . for example, the Romans represented happiness, abundance, harmony and a variety of other concepts as personifications. Sometimes, the representation of a concept took on the aspect of a minor deity. As a digression, we might mention that the word deity comes from deus, which in turn comes from the Greek Zeus or chief Olympian god. The trouble with personifications is that they all look more or less alike. The average man on the street, even if well educated, would have difficulty interpreting the meaning of a personification if there weren. t some distinguishing characteristic. Being well aware of this, artists - past and present - avoid confusion by depicting personifications (and deities) with certain *attributes*. . .The standard "text book" attributes of >Fortuna< (for example) are the cornucopia and the rudder. The cornucopia, or "horn of plenty" is a symbol of abundance. It consists of a wicker basket, from which normally spills a variety of fruits and vegetables. The rudder is one of the most important parts of a ship, guiding its course and providing stability. Fortuna was seen by the ancients not only as a personification, but as a minor deity that guided the affairs of state and life in general. As such, the rudder symbolized her powers in this respect.
Fortuna was actually worshipped by the Greeks and Romans as a goddess, which was not the case with every personification, and temples were built in her name and honor.
Oracles of Fortuna resided at Praeneste and Antium. The Romans gave Fortuna a number of epithets and invoked her assistance in assuring good fortune for both public and private needs.
The Greeks knew her as Tyche . . . Tyche was often adopted as a city goddess, especially in Roman Provincial communities. As such, she is typically depicted wearing a turrented crown. The Great Mother goddess, Cybele, also wears a turrented or "mural" crown, but she is typically enthroned and often accompanied by lions - never depicted with a rudder.
The Egyptian goddess Isis was also closely associated with Fortuna or Tyche, and we occasionally see the sistrum and lotus-flower headdress of Isis combined with the Greco-Roman iconography of Fortuna.
There are scores of personifications and deities depicted on ancient coinage, and virtually all of them have identifiable attributes. Learning to recognize these attributes and consequently to identify the subject, and perhaps the meaning, of a coin. s imagery is all part of the joy of ancient numismatics.